In this episode we use a funky James Brown track as a fun way to work on your time-feel, jazz comping, uptempo phrasing, and limb independence. By identifying individual layers of the groove you find a a ton of jazz comping possibilities. Double time swing over a funky song is a great way to change up your practice routine!
"The noise isn't a result of their hands, their hands are a result of the noise... it's their core, their inner drummer" In this episode we check out the sounds of Ed Thigpen, Billy Higgins, and Elvin Jones' inner drummer. These master drummers, and all master drummers, have a core pulse and subdivision that we sometimes get to hear when they play. They not only played time, they breathed time...it's that deep!
In this episode Mel Lewis helps us figure out Rhythmic Foreshadowing, i.e. the performance of a rhythmic figure to set-up or cue a subsequent performance of that same figure. Mel’s use of rhythmic foreshadowing was so subtle many people don’t realize he did it. This concept provides the band everything they need to play their parts with precision and can be utilized by drummers of any skill level. Check it out!
Part 2 of Billy Higgins Solo Vocabulary. In this episode of we explore Mr.Higgins' use of Buzz Rolls, Straight 8ths, Ruffs, Double Strokes, and Crossover FIlls. This episode mentions a ton of items from Part 1, check that out first if you haven't already. These concepts sound great and are easy to use in your playing.
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The ultimate guide to feathering your bass drum! In this episode you gain 3 major concepts that will drastically improve your volume and swing feel when feathering the bass drum. These concepts will work for you because they work for many legendary jazz drummers including the great Louis Hayes. Get your feathering together today! Questions or comments, please reach out. Let’s Hang!
Part 1 of Billy Higgins Solo Vocabulary. In this episode of The Drum Hang we explore Mr.Higgins' use of Moving Melodies (stickings), 6-Stroke Rolls, and Alternating Single Strokes. These concepts sound great and are easy to use in your playing. Higgins! Online premium lessons are available. Let's hang!
In this episode of The Drum Hang we watch Art Taylor's fluid motion and use 10 voiced paradiddles to work on our own flow around the drums. Focus on smooth motion and good sound. Online premium lessons are available, contact me for more info. Let's hang!
In this episode of The Drum Hang we check out a really useful Lewis Nash phrase. It's short, easy to learn, and feels great to play at a variety of tempos. Lewis Nash!! This is the tip of the iceberg, online private study is available. Let's hang! email@example.com
In this episode of The Drum Hang I give you techniques for seamless switching of implements. Brushes to sticks to brushes to whatever! It takes thought and PRACTICE to be ready for anything on the bandstand. In this video I show you several methods and tips that work for me. This is the stuff that really separates the pros from the amateurs.
In this episode of The Drum Hang we dig into the drumming of Bill English. Mr. English was a very musical and swinging drummer who made a simple 12 bar blues sound unique for each melody and the musicians playing it. Our two examples in this episode are Mo-Lasses and Chitlins Con Carne. Use these grooves on your next gig and credit the master Bill English!
The launch of my interview series Trading 4's, this episode features Doug Weiss. Doug has been Al Foster's bassist for over 25 years and during this interview he gives insight into Al's playing, composing, and what makes Al such a special and nurturing human. (BTW, Doug and I also spoke at length about Bill Stewart, Brian Blade, Leon Parker and the special connection between the bass and drums, these conversations will be posted in upcoming episodes!)
In this episode of The Drum Hang we get inspired to play single strokes between our right hand and right foot. First we watch the masters Roy Haynes and Tony Williams utilize this idea. Then I give you some easy to use ideas, followed by Obed Calvaire showing us what is really possible by playing amazingly clean and fast singles during a great solo!
In this episode of The Drum Hang we dive into the playing of Mel Lewis and specifically his use of a sticking called Rub-a-Dub. This sticking not only works for a comping/time pattern but also importantly it works great when playing written figures within a big band. Mel Lewis was a master of Rub-a-Dub and in this episode you can see him play it himself in some very rare footage.
In this episode of The Drum Hang I show you three brush patterns that will get you through any jazz gig. I also give my advice on how to successfully play matched grip brushes. This is the tip of the iceberg, online private study is available. Let's hang! firstname.lastname@example.org
In this episode of The Drum Hang, I share a guided listening to Billy Higgins comping. Mr. Higgins comping is a masterpiece of good sound, phrasing, patience, and repetition. This is part 1 of 2 on Mr. Billy Higgins. Let's hang! Reach me at email@example.com
In this episode of The Drum Hang, we check out phrases that include groups of 5! This vocabulary is all about modern phrasing and challenging your ears to hear new groupings. This is the tip of the iceberg, online private study is available. Let's hang! Reach me at firstname.lastname@example.org
In this episode of The Drum Hang, we check out Edgar Bateman and Al Foster's approach to not only playing down the drums, but playing up the drums in unique ways! This vocabulary (transcription below video) is all about fluid loose motion, articulate sticking, and interesting tom melodies! This is the tip of the iceberg, online private study is available. Let's hang! Reach me at email@example.com
In this episode of The Drum Hang, we dig into an amazing 8 measure solo by Shelly Manne! This solo is a great short transcription project full of useful and easy vocabulary. Let's hang! Reach me at firstname.lastname@example.org
In Episode 1 we improve your ride cymbal beat in 5 minutes.
By using three simple techniques your beat will be more consistent and swinging.
This is only the start, let's hang! email@example.com